And under here, Hedwig”—Harry pulled open a door under the stairs—“is where I used to sleep; You never knew me then— Blimey, it’s small, I’d forgotten… .” Harry looked around at the stacked shoes and umbrellas, remembering how he used to wake every morning looking up at the underside of the staircase, which was more often than not adorned with a spider or two. Those had been the days before he had known anything about his true identity; before he had found out how his parents had died or why such strange things often happened around him. But Harry could still remember the dreams that had dogged him, even in those days: confused dreams involving flashes of green light and once—Uncle Vernon had nearly crashed the car when Harry had recounted it—a flying motorbike..
Paolo Troilo’s artistic expression characterizes for the originality of the formal procedure. His working instruments are not brushes or palettes, but only his hands: one spreads colors, unfolding at the same time his five fingers, the other holds the mobile phone, which reports the picture of him as the model. Troilus’ painting is predominantly bi-color, based on the use of ivory and “gray payne” or ivory and “green bladder”. This choice gives strength and vigor to every brush stroke. Since 2006, Paolo Troilo took part to Miart, Art Verona and to many group and solo exhibitions.
you were all flawed. i chose you because you were all like me. you were all alone. you were all looking for something you couldn’t find out there. i chose you because you needed this place as much as it needed you.